Record

Collection NameNash, Paul
Reference Number (click the number to browse all records in this collection)TGA 769
LevelFonds
TitleWritings, artwork, correspondence, photographs and ephemera relating to Paul Nash
Date1907-1960
Extent2 boxes and 1 solander box
Access StatusOPEN
DescriptionThis small collection of Paul Nash material was given to the Archive by the Paul Nash Trustees via Andrew Causey, who had been using the material for his book on Nash. It contains a wide range of material, including manuscripts and drafts of biographical pieces by his wife Margaret, lists and catalogues of paintings and works, as well as a small collection of artwork including proofs of illustrations.
ArrangementAs the material was unsorted, it was possible to arrange it into the following sections: 769/1 Writing by Nash. 769/2 Material about Nash. 769/3 Correspondence. 769/4 Artwork. 769/5 Source material. 769/6 Printed ephemera. 769/7 Photographs. 769/8 Miscellaneous. 769/9 Press cuttings.
LanguageEnglish
PublicationsFor published literature about Nash see: 'Paul Nash: The Portrait of an Artist', by Anthony Bertram, Faber and Faber, 1955. 'Paul Nash', by Andrew Causey, Clarendon 1980. 'Paul Nash Book Designs. A Minories Touring Exhibition', by Clare Colvin, 1982. 'Paul Nash: Master of the Image' by Margot Eates, Murray 1973. 'Fertile Image' by Margaret Nash, Faber 1951. 'Outline, An Autobiography'(Faber 1949), Columbus 1988.
Administrative HistoryPaul Nash was born in London on 11 May 1889, son of William Harry Nash, late Recorder of Abingdon. He was educated at St. Paul's School, and originally was going to join the Navy. His earliest artistic training was at the Chelsea Polytechnic and the L.C.C. school, he then went to the Slade School of Art. In 1914, shortly after marrying Margaret Theodosia Odeh, he enlisted in The Artists Rifles, where he received a commission in the Hampshire Regiment. Though he had exhibited drawings in 1911, Nash first came into prominence in June 1917, when during convalescence from a broken rib received in the trenches he showed at the Goupil Gallery a collection of landscape drawings made in the Ypres Salient. They made a huge impact, and when Nash returned to France it was as an official war artist.After that Nash developed rapidly with changes of style and medium, but always retaining the same general attitude to nature from simplified forms, through geometrical shapes to surrealist images. Nash also acted as a designer for industry using a wide range of crafts and materials - textiles, wood, glass, china, book production, posters and stage design and costumes. His ideas on modernity in design were put into practice with the foundation in 1933 of 'Unit One'; a group of painters, sculptors, and architects pledged to the expression of the contemporary spirit in their work. For a time Nash was a member of of the New English Art Club, the London Group, the London Artists' Association, the Modern English Watercolour Society, and the International Society of Wood-engravers, but when 'Unit One' was formed he resigend from all other groups and societies. In 1933, he was elected a member of the Council for Art and Industry, having been president of the Society of Industrial Artists in the previous year. He was also visiting instructor to the School of Design at the Royal College of Art. In 1940 Nash was appointed an official war artist to the Air Ministry, and in 1941 to the Ministry of Information. Paul Nash died on 11 July 1946.

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