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Collapse TGA 202310 - The ‘Making Histories Visible’ Archive - 5 Sep 1983-May 2018TGA 202310 - The ‘Making Histories Visible’ Archive - 5 Sep 1983-May 2018
Expand 1 - 'Making histories visible', box 1 : catalogues, 1983-89 - 16 Sep 1983-26 Jun 19921 - 'Making histories visible', box 1 : catalogues, 1983-89 - 16 Sep 1983-26 Jun 1992
2 - 'Making histories visible', box 2 : reviews, 1980s - Sep 1985-2 Aug 1989
Expand 3 - 'Making histories visible', box 3 : brochures, leaflets, & flyers, 1980s - 29 Nov 1983-4 Feb 19903 - 'Making histories visible', box 3 : brochures, leaflets, & flyers, 1980s - 29 Nov 1983-4 Feb 1990
4 - 'Making histories visible', box 4 : magazines, 1980s - 1986-1988
Expand 5 - 'Making histories visible', box 5 : letters, 1988-89 - 19 Feb 1988-9 Feb 19905 - 'Making histories visible', box 5 : letters, 1988-89 - 19 Feb 1988-9 Feb 1990
Expand 6 - 'Making histories visible', box 6 : invitations, 1980-1989 - 16 Sep 1983-12 Feb 19916 - 'Making histories visible', box 6 : invitations, 1980-1989 - 16 Sep 1983-12 Feb 1991
Expand 7 - 'Making histories visible', box 7 : images, 1980s - 1984-20167 - 'Making histories visible', box 7 : images, 1980s - 1984-2016
8 - 'Making histories visible', box 8 : listings, 1980s - 1 Nov 1985-27 Dec 1989
Expand 9 - 'Making histories visible', box 9 : press release[s], 1983-89 - 5 Sep 1983-6 Mar 19919 - 'Making histories visible', box 9 : press release[s], 1983-89 - 5 Sep 1983-6 Mar 1991
Expand 10 - 'Making histories visible', box 10 : posters, 1980-89 - 1984-198910 - 'Making histories visible', box 10 : posters, 1980-89 - 1984-1989
Expand 11 - 'Making histories visible', box 11 : essays and texts, 1985-88 - 1988-198911 - 'Making histories visible', box 11 : essays and texts, 1985-88 - 1988-1989
Expand 12 - 'Making histories visible', box 12 : Greater London Arts, 1980s - [c 1988-1989]12 - 'Making histories visible', box 12 : Greater London Arts, 1980s - [c 1988-1989]
Expand 13 - 'Making histories visible', box 13 : flyers & info sheets, 1990s - 1988-200413 - 'Making histories visible', box 13 : flyers & info sheets, 1990s - 1988-2004
Expand 14 - 'Making histories visible', box 14 : exhibition info, press releases & newsletters, 1990s - Jul 1988-7 May 200014 - 'Making histories visible', box 14 : exhibition info, press releases & newsletters, 1990s - Jul 1988-7 May 2000
Expand 15 - 'Making histories visible', box 15 : catalogues, 1990-1993 - 1990-199415 - 'Making histories visible', box 15 : catalogues, 1990-1993 - 1990-1994
Expand 16 - 'Making histories visible', box 16 : catalogues, 1994-97 - 1994-199716 - 'Making histories visible', box 16 : catalogues, 1994-97 - 1994-1997
Expand 17 - 'Making histories visible', box 17 : essays & reviews, 1990-98 - Nov 1990-13 Oct 199817 - 'Making histories visible', box 17 : essays & reviews, 1990-98 - Nov 1990-13 Oct 1998
Expand 18 - 'Making histories visible', box 18 : invitations, 1990-1999 - 1 Dec 1989-19 Sep 199618 - 'Making histories visible', box 18 : invitations, 1990-1999 - 1 Dec 1989-19 Sep 1996
Expand 19 - 'Making histories visible', box 19 : brochures & leaflets, 1990-99 - 1990-199919 - 'Making histories visible', box 19 : brochures & leaflets, 1990-99 - 1990-1999
Expand 20 - 'Making histories visible', box 20 : posters, 1990-1999 - 1990-199520 - 'Making histories visible', box 20 : posters, 1990-1999 - 1990-1995
Expand 21 - 'Making histories visible', box 21 : slide images, 1990-1999 - 1990s21 - 'Making histories visible', box 21 : slide images, 1990-1999 - 1990s
22 - 'Making histories visible', box 22 : misc. articles, 1990s - 1994-1998
23 - 'Making histories visible', box 23 : magazines, 1990s - 1990-1998
Expand 24 - 'Making histories visible', box 24 : misc. images, research photos etc., 1990s - 1990s24 - 'Making histories visible', box 24 : misc. images, research photos etc., 1990s - 1990s
Expand 25 - 'Making histories visible', box 25 : listings, 1990-1997 - 1990-199725 - 'Making histories visible', box 25 : listings, 1990-1997 - 1990-1997
Expand 26 - 'Making histories visible', box 26 : Peg Alston, 1990s - 1990s26 - 'Making histories visible', box 26 : Peg Alston, 1990s - 1990s
Expand 27 - 'Making histories visible', box 27 : notes and texts, 1990s - 1990-199827 - 'Making histories visible', box 27 : notes and texts, 1990s - 1990-1998
Expand 28 - 'Making histories visible', box 28 : letters, information, maps, etc. - 5th Havana Biennale, Cuba, 1993-94 - 1991-199428 - 'Making histories visible', box 28 : letters, information, maps, etc. - 5th Havana Biennale, Cuba, 1993-94 - 1991-1994
Expand 29 - 'Making histories visible', box 29 : talks, conferences and symposiums, 1990-1999 - 12 Dec 1989-23 Mar 199829 - 'Making histories visible', box 29 : talks, conferences and symposiums, 1990-1999 - 12 Dec 1989-23 Mar 1998
Expand 30 - 'Making histories visible', box 30 : letters, 1990 - 26 Apr 1988-19 Dec 199030 - 'Making histories visible', box 30 : letters, 1990 - 26 Apr 1988-19 Dec 1990
Expand 31 - 'Making histories visible', box 31 : letters, 1991 - 12 Jan 1991-16 Feb 199331 - 'Making histories visible', box 31 : letters, 1991 - 12 Jan 1991-16 Feb 1993
Expand 32 - 'Making histories visible', box 32 : letters, 1992 - 9 Jan-30 Dec 199232 - 'Making histories visible', box 32 : letters, 1992 - 9 Jan-30 Dec 1992
Expand 33 - 'Making histories visible', box 33 : letters, 1993 - 8 Jan-21 Dec 199333 - 'Making histories visible', box 33 : letters, 1993 - 8 Jan-21 Dec 1993
Expand 34 - 'Making histories visible', box [34] : letters, 1994 - 24 Jan 1994-4 Mar 199534 - 'Making histories visible', box [34] : letters, 1994 - 24 Jan 1994-4 Mar 1995
Expand 35 - 'Making histories visible', box [35] : letters, 1995 - 3 Jan 1994-2 Jan 199635 - 'Making histories visible', box [35] : letters, 1995 - 3 Jan 1994-2 Jan 1996
Expand 36 - 'Making histories visible', box [36] : letters, 1996 - 7 Jan-26 Dec 199636 - 'Making histories visible', box [36] : letters, 1996 - 7 Jan-26 Dec 1996
Expand 37 - 'Making histories visible', box [37] : letters, 1997 - 8 Jan-29 Dec 199737 - 'Making histories visible', box [37] : letters, 1997 - 8 Jan-29 Dec 1997
Collapse 38 - 'Making histories visible', box [38] : letters, 1998 - Jan-Dec 199838 - 'Making histories visible', box [38] : letters, 1998 - Jan-Dec 1998
1 - Handwritten postcard from Heather Fox to Lubaina Himid - [c Jan] 1998
2 - Handwritten postcard from Mark Haworth-Booth, V&A (Victoria and Albert Museum), to Lubaina Himid - 5 Jan 1998
3 - Typed letter signed by Lewis Biggs, curator, Tate Gallery Liverpool, Albert Dock, Liverpool, to Lubaina Himid, Preston - 7 Jan 1998
4 - Typed letter signed with handwritten postscript by Sandy Nairne, director of public and regional services, Tate Gallery, Millbank, London, to Lubaina Himid, Preston - 18 Jan 1998
5 - Handwritten postcard from Heather Fox to Lubaina Himid - 22 Jan 1998
6 - Fax from Angela Rosenthal, Department of Art History, Dartmouth College, Carpenter Hall, Hanover, New Hampshire, to Lubaina Himid & Maud Sulter, Preston, Lancashire - 28 Jan 1998
7 - Typed letter signed by Lissie Cosme, Contemporary Art Museum, University of South Florida, E. Fowler Avenue, Tampa, Florida, to Lubaina Himid, c/o Maud Sulter - 29 Jan 1998
8 - Typed letter signed by Elizabeth A. Macgregor, director, Ikon Gallery, John Bright Street, Birmingham, to Lubaina Himid, University of Central Lancashire, Avenham Annexe, Avenham Lane, Preston - 30 Jan 1998
9 - Handwritten postcard from Rosemary 'Rosie' Miles, Victoria and Albert Museum (V&A), to Lubaina Himid - 1998
10 - Typed circular signed by Heather Fox on behalf of Tom Pridmore, countryside, leisure and tourism officer, Wyre Borough Council, Civic Centre, Breck Road, Poulton-le-Fylde, Lancashire, with handwritten note from Fox to Lubaina Himid - 1998
11 - Typed letter signed by Karen Chedgzoy, customer relations manager, Virgin Trains, Birmingham, to Lubaina Himid, Preston, Lancashire - 4 Feb 1998
12 - Typed memorandum signed by Alan Roff on behalf of the Professorial and Readership Committee, University of Central Lancashire, to Lubaina Himid, relating her application for the award of the title of Reader - 6 Feb 1998
13 - Fax from Roma Potiki, City Gallery Wellington, Old Public Library Building, Civic Square, Wakefield Street, Wellington, New Zealand, to Lubaina Himid, Altitude - 11 Feb 1998
14 - Torn fax from Peg Alston, Peg Alston Fine Arts, Central Park West, New York, New York, USA, to Lubaina Himid - 7 Jul [c 1998]
15 - Typed letter signed by Stephen Whittle, keeper of fine art, Harris Museum & Art Gallery, Market Square, Preston, Lancashire, to Lubaina Himid, Preston - 17 Feb 1998
16 - Typed circular letter from Melissa Ho, gallery manager, Track 16 Gallery & Smart Art Press, Bergamot Station, Michigan Avenue, Santa Monica, California, USA, to artists Oladélé Bamgboyé, Bili Bidjocka, Gordon Bleach, Kendell Geers, Lubaina Himid, Marcia Kure, Houria Niati, Olu Oguibe, Tracey Rose, and Folake Shoga - 19 Feb 1998
17 - Letter handwritten by Lubaina Himid, Fine Art Department, University of Central Lancashire, Preston, for faxing to administrator in charge of sales of work, Studio Museum in Harlem, New York, USA - 1998
18 - Letter handwritten by Lubaina Himid for faxing to Paul Barnett, arts in the community manager, Education & Leisure, Oldham Metropolitan Borough - 20 Feb 1998
19-20 - Correspondence between Peg Alston, Peg Alston Fine Arts, Central Park West, New York, New York, USA, and Lubaina Himid - 1998
21 - Typed letter signed by Jenny Hewings for Professor Nick Stanley, director of research, Birmingham Institute of Art & Design, University of Central England in Birmingham, Corporation Street, Gosta Green, Birmingham, to Lubaina Himid, Preston - 19 Feb 1998
22 - Typed letter signed by Sandy Nairne, director of public and regional services, Tate Gallery, Millbank, London, to Lubaina Himid, Preston - 24 Feb 1998
23 - Typed letter signed by Helena Tomlin, schools liaison officer (art), Museum, Art Gallery and Aquarium, Education and Arts, Bolton Metro, Le Mans Crescent, Bolton, to Lubaina Himid, Preston - 4 Mar 1998
24 - Typed memorandum signed by Alan Roff on behalf of the Professorial and Readership Committee, University of Central Lancashire, to Lubaina Himid - 9 Mar 1998
25-26 - Letters relating to Lubaina Himid's appointment as Reader in Contemporary Art, University of Central Lancashire - 10 Mar 1998
27 - Typed cover letter signed by Paul Barnett, arts in the community manager, Education & Leisure, Oldham Metropolitan Borough, Old Town Hall, Middleton Road, Chadderton, Oldham, to Lubaina Himid, Preston - 9-10 Mar 1998
28 - Letter handwritten by Lubaina Himid for faxing to gallery curator for 'Cross/ings' exhibition - 13 Mar 1998
29 - Typed letter signed by David Butler, AN Visual Arts, Sunderland, to Lubaina Himid, Preston - 26 March 1998
30 - Handwritten postcard from Griselda Pollock to Lubaina Himid, Preston - 28 Mar 1998
31 - Typed letter signed by [ill.] Cockerell for Tessa Jackson, director, Arnolfini, Bristol, to Lubaina Himid, Preston - 30 Mar 1998
32 - Typed letter signed by Sonia Boyce, London, to Lubaina Himid, Preston - 6 Apr 1998
33 - Fax from Joanne Isaac, Steinbaum Krauss Gallery, New York, New York, USA, to Maud Sulter and Lubaina Himid, Preston - 7 Apr 1998
34 - Fax from Laura Down, Public & Regional Services, Tate Gallery, Millbank, London, to Lubaina Himid - 7 Apr 1998
35 - Typed cover letter signed by Professor Nigel Whiteley, head of department, Art Department, School of Creative Arts, Lancaster University, Lancaster, to Lubaina Himid - 6 Apr 1998
36 - Typed letter signed by Sonia Boyce, co-director, African and Asian Visual Artists Archive (AAVAA), University of East London, Greengate Street, London, to Lubaina Himid, Preston - 1 May 1998
37 - Handwritten letter from Griselda Pollock to Lubaina Himid - 4 May 1998
38 - Handwritten postcard from Gilane Tawadros to Lubaina Himid - 7 May 1998
39 - Typed letter signed by Penny Hay, national InSET coordinator, National Society for Education in Art & Design (NSEAD), the Gatehouse, Corsham Court, Corsham, Wiltshire, to Lubaina Himid, Preston, Lancashire - 12 May 1998
40 - Typed letter signed with handwritten postscript by Martin Barlow, director, Oriel Mostyn Art Gallery, Vaughan Street, Llandudno, Wales, to Lubaina Himid, Preston - 13 May 1998
41 - Fax from Christopher Webster, copyright controller, Tate Pubishing, Millbank, London, to Lubaina Himid, Preston, signed and faxed back by Himid - 19 May 1998
42 - Handwritten postcard from Heather Fox to Lubaina Himid - 1998
43 - Typed letter signed by Professor Griselda Pollock, chair of social and critical histories of art, Department of Fine Art, University of Leeds, Leeds, to Lubaina Himid - 21 May 1998
44 - Handwritten letter from Jeremy Harding, London Review of Books, Little Russell Street, London, to Lubaina Himid - 22 May 1998
45 - Typed letter signed by Stef Gabrysch, near Preston, to Lubaina Himid, Preston, Lancashire - 7 Jun 1998
46 - Handwritten cover letter and typed letter signed by Jane Beckett, senior lecturer, Art History, School of World Art Studies and Museology, UEA Norwich, University of East Anglia, Norwich, to Lubaina Himid, School of World Art Studies, University of East Anglia, Norwich - 7 Jun 1998
47 - Memorandum from Norman Burrow, Faculty of Design and Technology, University of Central Lancashire, to Len Wilson and Andy Cage, copying in Rob Paine, Isobel Taylor, and Lubaina Himid - 9 Jun 1998
48-49 - Typed letter signed by, and fax from Lissie Cosme, USFCAM (University of South Florida Contemporary Art Museum), E. Fowler Avenue, Tampa, Florida, USA, to Lubaina Himid, c/o Altitude, Preston, Lancashire - 18-19 Jun 1998
50 - Typed letter signed by Professor Griselda Pollock, Social and Critical Histories of Art, Department of Fine Art, University of Leeds, Leeds, to Lubaina Himid - 1 Jul 1998
51 - Typed copy letter from Lubaina Himid to Alan France - 3 Jul 1998
52 - Handwritten letter from Claudette to Lubaina Himid - 20 Jul 1998
53 - Typed letter signed by Penny Hay, national InSET coordinator, National Society for Education in Art & Design (NSEAD), the Gatehouse, Corsham Court, Corsham, Wiltshire, to Lubaina Himid, Preston, Lancashire - 28 Jul 1998
54 - Unsigned, typed letter from Tom Pridmore, countryside, leisure and tourism officer, Wyre Borough Council, Civic Centre, Breck Road, Poulton-le-Fylde, Lancashire, to Lubaina Himid - 3 Aug 1998
55 - Typed letter signed by W. Rod Faulds, director, University Galleries, Schmidt College of Arts and Letters, Florida Atlantic University, Glades Road, Boca Raton, Florida, USA, to Lubaina Himid, c/o Altitude, Preston, Lancashire - 21 Aug 1998
56 - Typed letter signed by Louise Coysh, programme coordinator, AN Visual Arts, Sunderland, to Lubaina Himid, Preston - 28 Aug 1998
57-58 - Handwritten notes from Heather Fox, Wyre Arts & Events, to Lubaina Himid - 1998
59 - Typed cover letter signed by Elizabeth-anne [sic] Williams, general manager, Liverpool Biennial of Contemporary Art, the View, Gostins House, Hanover Street, Liverpool, to Lubaina Himid - 30 Jul-2 Sep 1998
60 - Typed letter signed by Martin Barlow, director, Oriel Mostyn Art Gallery, Vaughan Street, Llandudno, Wales, to Lubaina Himid, Preston - 21 Sep 1998
61 - Typed letter signed by Geoffrey 'Geoff' Quilley, Department of History of Art, University of Leicester, University Road, Leicester, to Lubaina Himid, Preston - 23 Sep 1998
62 - Handwritten cover letter signed by Geoff Wood, director, pArts (public Art specialists), Linden Mill, Linden Road, Hebden Bridge, West Yorkshire, to Lubaina Himid, Preston, Lancashire - 2 Oct 1998
63 - Letters from Victoria Anderson to Lubaina Himid - 26 Jan-2 Oct 1998
64 - Typed cover letter signed by Elizabeth-anne [sic] Williams, general manager, Liverpool Biennial of Contemporary Art, the View, Gostins House, Hanover Street, Liverpool, to Lubaina Himid - 29-30 Oct 1998
65 - Typed cover circular letter signed by Bernadette Fort for Fort and Angela Rosenthal, editors, 'The other Hogarth : aesthetics of difference', to contributors - 9 Nov 1998
66 - File related to 'Annotations 5 - Run through the jungle : selected writings' by Eddie Chambers, published by Institute of International Visual Arts (inIVA), Kirkman House, Whitefield Street, London - 20-23 Nov 1998
67 - Typed letter from Jo Sedley, Bristol, to Lubaina Himid, Preston - 21 Nov 1998
68 - Handwritten note from Martin Barlow, director, Oriel Mostyn Art Gallery, Llandudno, Wales, to Lubaina Himid - Oct 1998
69 - Handwritten postcard from Mark Haworth-Booth, V&A (Victoria and Albert Museum), to Lubaina Himid - 1 Dec 1998
70 - Handwritten letter from Diane to Lubaina Himid - 12 Dec 1998
71 - Typed cover letter from Janie Conley, administrator, African and Asian Visual Artists Archive (AAVAA), University of East London, Greengate Street, London, to Lubaina Himid, Preston - 18 Dec 1998
72 - Typed circular letter from Paul Wilson, West Sussex, to 'all artists in the Mag Collection', with handwritten address and postscript to Lubaina Himid - Dec 1998
73 - Typed letter signed by Amanda Francis, administrator, Rich Women of Zurich, Leather Lane, London, to Lubaina Himid - 29 Dec 1998
Expand 39 - 'Making histories visible', box [39] : letters, 1999 - 13 Jan-6 Dec 199939 - 'Making histories visible', box [39] : letters, 1999 - 13 Jan-6 Dec 1999
Expand 40 - 'Making histories visible', box [40] : Ingrid Pollard - 1983-May 201840 - 'Making histories visible', box [40] : Ingrid Pollard - 1983-May 2018
Expand 41 - 'Making histories visible', box [41] - 12 Nov 1986-201141 - 'Making histories visible', box [41] - 12 Nov 1986-2011
42 - 'Making histories visible', box [42] : Bozar 2014 - 2014
43 - V&A (Victoria & Albert Museum) press pack, 'Uncomfortable truths' - 17 Feb-18 Jun 2007
44 - Empty ring binder box retained to demonstrate how 'Making Histories Visible' archive was originally stored and displayed at University of Central Lancashire, Preston - [c 2010s]
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