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Collapse TGA 202310 - The ‘Making Histories Visible’ Archive - 5 Sep 1983-May 2018TGA 202310 - The ‘Making Histories Visible’ Archive - 5 Sep 1983-May 2018
Expand 1 - 'Making histories visible', box 1 : catalogues, 1983-89 - 16 Sep 1983-26 Jun 19921 - 'Making histories visible', box 1 : catalogues, 1983-89 - 16 Sep 1983-26 Jun 1992
2 - 'Making histories visible', box 2 : reviews, 1980s - Sep 1985-2 Aug 1989
Expand 3 - 'Making histories visible', box 3 : brochures, leaflets, & flyers, 1980s - 29 Nov 1983-4 Feb 19903 - 'Making histories visible', box 3 : brochures, leaflets, & flyers, 1980s - 29 Nov 1983-4 Feb 1990
4 - 'Making histories visible', box 4 : magazines, 1980s - 1986-1988
Expand 5 - 'Making histories visible', box 5 : letters, 1988-89 - 19 Feb 1988-9 Feb 19905 - 'Making histories visible', box 5 : letters, 1988-89 - 19 Feb 1988-9 Feb 1990
Expand 6 - 'Making histories visible', box 6 : invitations, 1980-1989 - 16 Sep 1983-12 Feb 19916 - 'Making histories visible', box 6 : invitations, 1980-1989 - 16 Sep 1983-12 Feb 1991
Expand 7 - 'Making histories visible', box 7 : images, 1980s - 1984-20167 - 'Making histories visible', box 7 : images, 1980s - 1984-2016
8 - 'Making histories visible', box 8 : listings, 1980s - 1 Nov 1985-27 Dec 1989
Expand 9 - 'Making histories visible', box 9 : press release[s], 1983-89 - 5 Sep 1983-6 Mar 19919 - 'Making histories visible', box 9 : press release[s], 1983-89 - 5 Sep 1983-6 Mar 1991
Expand 10 - 'Making histories visible', box 10 : posters, 1980-89 - 1984-198910 - 'Making histories visible', box 10 : posters, 1980-89 - 1984-1989
Expand 11 - 'Making histories visible', box 11 : essays and texts, 1985-88 - 1988-198911 - 'Making histories visible', box 11 : essays and texts, 1985-88 - 1988-1989
Expand 12 - 'Making histories visible', box 12 : Greater London Arts, 1980s - [c 1988-1989]12 - 'Making histories visible', box 12 : Greater London Arts, 1980s - [c 1988-1989]
Expand 13 - 'Making histories visible', box 13 : flyers & info sheets, 1990s - 1988-200413 - 'Making histories visible', box 13 : flyers & info sheets, 1990s - 1988-2004
Expand 14 - 'Making histories visible', box 14 : exhibition info, press releases & newsletters, 1990s - Jul 1988-7 May 200014 - 'Making histories visible', box 14 : exhibition info, press releases & newsletters, 1990s - Jul 1988-7 May 2000
Expand 15 - 'Making histories visible', box 15 : catalogues, 1990-1993 - 1990-199415 - 'Making histories visible', box 15 : catalogues, 1990-1993 - 1990-1994
Expand 16 - 'Making histories visible', box 16 : catalogues, 1994-97 - 1994-199716 - 'Making histories visible', box 16 : catalogues, 1994-97 - 1994-1997
Expand 17 - 'Making histories visible', box 17 : essays & reviews, 1990-98 - Nov 1990-13 Oct 199817 - 'Making histories visible', box 17 : essays & reviews, 1990-98 - Nov 1990-13 Oct 1998
Expand 18 - 'Making histories visible', box 18 : invitations, 1990-1999 - 1 Dec 1989-19 Sep 199618 - 'Making histories visible', box 18 : invitations, 1990-1999 - 1 Dec 1989-19 Sep 1996
Expand 19 - 'Making histories visible', box 19 : brochures & leaflets, 1990-99 - 1990-199919 - 'Making histories visible', box 19 : brochures & leaflets, 1990-99 - 1990-1999
Expand 20 - 'Making histories visible', box 20 : posters, 1990-1999 - 1990-199520 - 'Making histories visible', box 20 : posters, 1990-1999 - 1990-1995
Expand 21 - 'Making histories visible', box 21 : slide images, 1990-1999 - 1990s21 - 'Making histories visible', box 21 : slide images, 1990-1999 - 1990s
22 - 'Making histories visible', box 22 : misc. articles, 1990s - 1994-1998
23 - 'Making histories visible', box 23 : magazines, 1990s - 1990-1998
Expand 24 - 'Making histories visible', box 24 : misc. images, research photos etc., 1990s - 1990s24 - 'Making histories visible', box 24 : misc. images, research photos etc., 1990s - 1990s
Expand 25 - 'Making histories visible', box 25 : listings, 1990-1997 - 1990-199725 - 'Making histories visible', box 25 : listings, 1990-1997 - 1990-1997
Expand 26 - 'Making histories visible', box 26 : Peg Alston, 1990s - 1990s26 - 'Making histories visible', box 26 : Peg Alston, 1990s - 1990s
Expand 27 - 'Making histories visible', box 27 : notes and texts, 1990s - 1990-199827 - 'Making histories visible', box 27 : notes and texts, 1990s - 1990-1998
Expand 28 - 'Making histories visible', box 28 : letters, information, maps, etc. - 5th Havana Biennale, Cuba, 1993-94 - 1991-199428 - 'Making histories visible', box 28 : letters, information, maps, etc. - 5th Havana Biennale, Cuba, 1993-94 - 1991-1994
Expand 29 - 'Making histories visible', box 29 : talks, conferences and symposiums, 1990-1999 - 12 Dec 1989-23 Mar 199829 - 'Making histories visible', box 29 : talks, conferences and symposiums, 1990-1999 - 12 Dec 1989-23 Mar 1998
Expand 30 - 'Making histories visible', box 30 : letters, 1990 - 26 Apr 1988-19 Dec 199030 - 'Making histories visible', box 30 : letters, 1990 - 26 Apr 1988-19 Dec 1990
Expand 31 - 'Making histories visible', box 31 : letters, 1991 - 12 Jan 1991-16 Feb 199331 - 'Making histories visible', box 31 : letters, 1991 - 12 Jan 1991-16 Feb 1993
Expand 32 - 'Making histories visible', box 32 : letters, 1992 - 9 Jan-30 Dec 199232 - 'Making histories visible', box 32 : letters, 1992 - 9 Jan-30 Dec 1992
Expand 33 - 'Making histories visible', box 33 : letters, 1993 - 8 Jan-21 Dec 199333 - 'Making histories visible', box 33 : letters, 1993 - 8 Jan-21 Dec 1993
Collapse 34 - 'Making histories visible', box [34] : letters, 1994 - 24 Jan 1994-4 Mar 199534 - 'Making histories visible', box [34] : letters, 1994 - 24 Jan 1994-4 Mar 1995
1 - Handwritten letter from Anna Kindersley, London, to Lubaina Himid - 24 Jan 1994
2 - Letter from [Andrew], Corr Contemporary Art, Aura House, Oldridge Road, London, to Lubaina Himid - 26 Jan 1994
3 - Fax from Anna Kindersley, c/o Francois de Necker, Centre for Visual & Performing Arts, University of Namibia, to Lubaina Himid - 4 Feb 1994
4 - Handwritten cover note from Ian Hunter, Projects Environment, to Lubaina Himid - 9 Feb 1994
5 - Typed letter signed by Annie Symonds, assistant director, British Council, Windhoek, Namibia, to Lubaina Himid, Preston - 16 Feb 1994
6 - Fax from Linda Biggers, registrar 'Memories of childhood' exhibition, Steinbaum Krauss Gallery, Greene Street, New York, New York, USA, to Lubaina Himid, Preston - 15 Feb 1994
7 - Cover fax from Anna Kindersley, co-ordinator, c/o Francois de Necker, Visual Arts - C.V.P.A., University of Namibia, Storchstreet, Windhoek, Namibia, to Lubaina Himid, enclosing invitation to Tulipamwe International Artists' workshop (16 April-1 May 1994) - 21 Feb 1994
8 - Typed letter signed by Sophie Carter, School of World Art Studies and Museology, University of East Anglia (UEA Norwich), to Lubaina Himid, Preston - 25 Feb 1994
9 - File relating to Lubaina Himid's contribution to 'Artists Newsletter' - 8 Mar 1994
10 - Handwritten letter from Harold Offeh, London, to Lubaina Himid - 10 Mar 1994
11 - Fax from Professor Griselda Pollock, Department of Fine Art, University of Leeds, Leeds, to Lubaina Himid - 10 Mar 1994
12 - Typed letter signed by Bryan Biggs, gallery director, Bluecoat, School Lane, Liverpool, to Lubaina Himid, Art Department, University of Central Lancashire, Preston - 15 Mar 1994
13 - Two faxes from Annie Symonds, assistant director, British Council, Windhoek, Namibia, to Lubaina Himid - 17-23 Mar 1994
14 - Typed letter signed by Margaret MacKeith, University of Central Lancashire, to Lubaina Himid, copying in Glenda Brindle - 30 Mar 1994
15 - Typed circular cover letter signed by Bernice Steinbaum, Steinbaum Krauss Gallery, Greene Street, New York, New York, USA, to artists participating in the gallery exhibition 'Memories of childhood (so we are not the Cleavers or the Brady Bunch) - 1 Apr 1994
16 - Typed cover circular letter from Michael Harrison, director, Kettle's Yard, University of Cambridge, Castle Street, Cambridge, enclosing information about posts of Kettle's Yard artist fellow/artist in residence at Gonville and Caius College, Cambridge, and artist in residence at Churchill College, Cambridge - 1994
17 - Telefax from M. Proudfoot on behalf of Lubaina Himid, to Annie Symonds, British Council - 5 Apr 1994
18 - Typed cover letter signed by Ian Hunter, Projects Environment, Higher Downs, Altrincham, Cheshire, to Lubaina Himid, Preston, enclosing information sheets about the symposium 'Littoral : new zones for critical practice in art - artists' projects in the context of social, environmental and cultural change', University College Salford Arts Centre, Manchester (September 1994) - 13 Apr 1994
19 - Typed letter signed and annotated by Helen Hills, Department of Art, College of Arts and Sciences, University of North Carolina at Chapel Hill, to Lubaina Himid, Department of Art History, University of Central Lancashire, Preston, Lancashire - 20 Apr 1994
20 - Typed letter signed by Eugenia P. Butler, Los Angeles, California, USA, to Lubaina Himid and Maud Sulter - 21 Apr 1994
21 - Typed letter signed by Victoria Pomery, assistant curator, Mead Gallery, Arts Centre, University of Warwick, Coventry, to Lubaina Himid, Preston - 4 May 1994
22 - Typed cover letter signed by Michael Harrison, director, Kettle's Yard, University of Cambridge, Castle Street, Cambridge, to Lubaina Himid - May 1994
23 - Typed letter signed by Geoff Wood, deputy director, Public Art commissions agency, Studio 6 Victoria Works, Vittoria Street, Birmingham, to Lubaina Himid, Preston - 17 May 1994
24 - Fax from Mora J. Byrd, director of special projects, Caribbean Cultural Center, 58th Street, New York, New York, USA, to Maud Sulter, Preston, Lancashire - 2 Jun 1994
25 - Typed letter signed by Jane Beckett, School of World Art Studies and Museology, University of East Anglia, Norwich (UEA Norwich), to Lubaina Himid - 4 Jun 1994
26 - Typed letter signed by Whitney Chadwick, San Francisco, California, USA, to Maud Sulter - 6 Jun 1994
27 - Typed letter signed by Martin Barlow, arts & exhibitions officer, Wrexham Library Arts Centre, Clwyd County Council, Rhosddu Road, Wrexham, Clwyd, Wales, to Lubaina Himid, Preston - 8 Jun 1994
28 - File relating to Lubaina Himid's contributions to books edited by Griselda Pollock and Jane Beckett - 10 Jun 1994
29 - Typed letter signed by Virginia Button, assistant keeper, Modern Collection, Tate Gallery, Millbank, London, to Lubaina Himid, Preston, Lancashire - 10 Jun 1994
30 - Typed letter signed by Christine Darby on behalf of Fiona Ellis, assistant director (arts), Calouste Gulbenkian Foundation (Lisbon), United Kingdom branch, Portland Place, London, to Lubaina Himid, Preston - 14 Jun 1994
31 - Typed letter signed by Samantha Roberts, deputy editor, 20th century art, 'The dictionary of Art', Macmillan Publishers Limited, Little Essex Street, London, to Professor Lubaina Himid, course leader, Art & Fashion Department, Lancashire Polytechnic, Preston - 17 Jun 1994
32 - Typed letter signed by Susan Jones, editor of Debbie Duffin's 'Investigating exhibitions', AN Publications, Sunderland, to Lubaina Himid, Preston - 22 Jun 1994
33 - Typed letter signed by Samantha Roberts, deputy editor, 20th century art, 'The dictionary of Art', Macmillan Publishers Limited, Little Essex Street, London, to Lubaina Himid - 23 Jun 1994
34 - Cover fax from Susan Jones, AN Publications, to Lubaina Himid - 1 Jul 1994
35 - Fax from Peg Alston, Peg Alston Fine Arts, Central Park West, Suite 6C, New York, New York, USA, to Lubaina Himid - 7 Jul 1994
36 - Typed letter signed by Caron Wright on behalf of Geoff Wood, deputy director, Public Art commissions agency, Studio 6, Victoria Works, Vittoria Street, Jewellery Quarter, Birmingham, to Lubaina Himid, Preston - 11 Jul 1994
37 - Handwritten cover letter from Philippa Alden, exhibitions co-ordinator, ICA (Institute of Contemporary Arts), The Mall, London, to Lubaina Himid, Preston - 19 Jul 1994
38 - Typed letter signed by Dr Angela Rosenthal, Fleischstrasse, Trier, Germany, to Lubaina Himid, Department of Fine Art, Lancaster Polytechnic, Lancaster - 21 Jul 1994
39-40 - Fax correspondence between Beverly Walton, Global Graphics, 12th Street, Santa Monica, California, and Lubaina Himid, Preston - 27 Jul-2 Aug 1994
41-42 - Correspondence between Lubaina Himid, Preston, Lancashire, and Llilian Llanos Godoy, director, Centro Wifredo Lam, Havana, Cuba - 3-8 Aug 1994
43 - Handwritten letter from Griselda Pollock, professor of social and critical histories of art, Centre for Cultural Studies, Department of Fine Art, University of Leeds, Leeds, to Lubaina Himid - 10 Aug 1994
44 - Correspondence between Susan Jones, AN Publications, Sunderland, to Lubaina Himid - 17-20 Jun 1994
45 - Typed letter signed by Gilane Tawadros, director, INIVA (Institute of New International Visual Arts), Arts Council of Great Britain, Great Peter Street, London, to Lubaina Himid, Avenham Annexe, Avenham Lane, University of Central Lancashire, Preston - 16 Aug 1994
46 - Typed letter signed by Beverley Sterling, visual arts officer, EMACA Visual Arts, Beaconsfield Street, Hyson Green, Nottingham, to Lubaina Himid, Preston - 23 Aug 1994
47 - Typed letter signed by Diane Hill, Department of Historical and Critical Studies, University of Central Lancashire, Preston, to Lubaina Himid, lecturer, Department of Fine Art, University of Central Lancashire - 26 Aug 1994
48 - Typed letter signed by Anne MacPhee, Tate Gallery Liverpool, Albert Dock, Liverpool, to Lubaina Himid, Preston - 2 Sep 1994
49 - Cover form from Shelley Noronha, senior picture editor, Liz Miller, picture editor, and Gerrie Nicholls, picture department assistant, Wayland (Publishers) Limited, Western Road, Hove, East Sussex, to Lubaina Himid, Preston - 7 Sep 1994
50 - Handwritten letter from Peg Alston, Peg Alston Fine Arts, to Maud Sulter and Lubaina Himid - 1994
51 - Typed letter signed by Celia Larner and Ian Hunter, Littoral, Projects Environment, Three Springs, Lodge Mill Lane, Turn Village, Ramsbottom, Lancashire, to Lubaina Himid, Preston - 1994
52 - Fax from Susan Jones, AN Publications, to Lubaina Himid - 12 Sep 1994
53 - Typed letter signed by Jan Lennox, head of performing arts, North West Arts Board, Harter Street, Manchester, to Lubaina Himid, Preston - 20 Sep 1994
54 - Fax from Beverly Walton, Global Graphics, 12th Street, Santa Monica, California, to Lubaina Himid - 23 Sep 1994
55 - Typed letter signed by Anne MacPhee, Tate Gallery Liverpool, Albert Dock, Liverpool, to Lubaina Himid, Preston - 13 Oct 1994
56 - Handwritten letter from Griselda Pollock, professor of social and critical histories of art, Department of Fine Art, Centre for Cultural Studies, University of Leeds, Leeds, to Lubaina Himid - 26 Oct 1994
57 - Typed letter signed with handwritten postscript by Dr Paul Gough, editor, 'A millennium bestiary', head of fine art, Faculty of Art, Media, and Design, University of the West of England (UWE Bristol), Bower Ashton Campus, Kennel Lodge, Road, off Clanage Road, Bristol, to Lubaina Himid - 1 Nov 1994
58-59 - Correspondence between Lubaina Himid and Peg Alston, Peg Alston Fine Arts, Central Park West, Suite 6C, New York, New York, USA - 3-7 Nov 1994
60 - Typed letter signed by Dianne Ostle for Anne MacPhee, Tate Gallery Liverpool, Albert Dock, Liverpool, to Lubaina Himid, Preston - 10 Nov 1994
61-62 - Correspondence between Peg Alston, Peg Alston Fine Arts, Central Park West, Suite 6C, New York, New York, USA, and Lubaina Himid - 25 Nov 1994
63 - Handwritten cover note from John Gill, co-ordinator, South East Exhibitions Project, West Hill Street, Brighton, East Sussex - 1994
64 - Postcard from Robert Loder, Curtis Brown, Regent Street, London, to Lubaina Himid, Preston - 11 Feb 1994
65 - Typed letter signed by Victoria Clarke, personal assistant to director Gilane Tawadros, Institute of International Visual Arts (inIVA), Kirkman House, Whitfield Street, London - 3 Nov 1994
66 - Signed letter from Randolph Petilos, editorial associate, Editorial Department, University of Chicago Press, Ellis Avenue, Chicago, Illinois, to Lubaina Himid, Avenham Annexe, Avenham Lane, University of Central Lancashire, Preston - 15 Nov 1994
67 - Typed letter signed by Victoria Clarke, personal assistant to director Gilane Tawadros, Institute of International Visual Arts (inIVA), Kirkman House, Whitfield Street, London - 17 Nov 1994
68 - Handwritten letter from Lisa Taylor, Lancashire, to Lubaina Himid - 26 Nov 1994
69 - Typed letter signed by Julian Spalding, director, Art Gallery and Museum, Kelvingrove, Glasgow Museums, Glasgow, to Lubaina Himid, Preston - 28 Nov 1994
70 - Typed letter signed by Angela Rowe, performing arts assistant, North West Arts Board, Harter Street, Manchester, to Lubaina Himid, Preston - 30 Nov 1994
71 - File relating to the limited edition book 'The millennium bestiary', edited by Dr Paul Gough, Faculty of Art, Media, and Design, University of the West of England (UWE Bristol), Bower Ashton Campus, Kennel Lodge, Road, off Clanage Road, Bristol - 6 Dec 1994-4 Mar 1995
72 - Typed letter signed by Anne Barlow, curator of modern art and design, The Burrell Collection, Pollok Country Park, Glasgow Museums, Glasgow, to Lubaina Himid, Preston - 12 Dec 1994
73 - Typed letter signed with handwritten letter from J.M. 'Joe' Corr, co-director, Corr Contemporary Art, Aura House, Oldridge Road, London, to Lubaina Himid, Preston - 12 Dec 1994
74 - Typed letter signed by Martin Barlow, arts & exhibitions officer, Wrexham Library Arts Centre, Clwyd County Council, Rhosddu Road, Wrexham, Wales, to Lubaina Himid, Preston - 13 Dec 1994
75 - Christmas card from Sutapa Biswas & Andy to Lubaina Himid - 29 Dec 1994
76 - Note from Rosemary, School of Cultural Studies, Sheffield Hallam University, Psalter Lane, Sheffield, to Lubaina Himid - 19 Dec 1994
77 - Typed letter signed by Martin Barlow, arts & exhibitions officer, Wrexham Library Arts Centre, Clwyd County Council, Rhosddu Road, Wrexham, Wales, to Lubaina Himid, Preston - 19 Dec 1994
78 - Handwritten letter to be faxed by Lubaina Himid to New York gallerist Peg Alston - 31 Dec 1994
Expand 35 - 'Making histories visible', box [35] : letters, 1995 - 3 Jan 1994-2 Jan 199635 - 'Making histories visible', box [35] : letters, 1995 - 3 Jan 1994-2 Jan 1996
Expand 36 - 'Making histories visible', box [36] : letters, 1996 - 7 Jan-26 Dec 199636 - 'Making histories visible', box [36] : letters, 1996 - 7 Jan-26 Dec 1996
Expand 37 - 'Making histories visible', box [37] : letters, 1997 - 8 Jan-29 Dec 199737 - 'Making histories visible', box [37] : letters, 1997 - 8 Jan-29 Dec 1997
Expand 38 - 'Making histories visible', box [38] : letters, 1998 - Jan-Dec 199838 - 'Making histories visible', box [38] : letters, 1998 - Jan-Dec 1998
Expand 39 - 'Making histories visible', box [39] : letters, 1999 - 13 Jan-6 Dec 199939 - 'Making histories visible', box [39] : letters, 1999 - 13 Jan-6 Dec 1999
Expand 40 - 'Making histories visible', box [40] : Ingrid Pollard - 1983-May 201840 - 'Making histories visible', box [40] : Ingrid Pollard - 1983-May 2018
Expand 41 - 'Making histories visible', box [41] - 12 Nov 1986-201141 - 'Making histories visible', box [41] - 12 Nov 1986-2011
42 - 'Making histories visible', box [42] : Bozar 2014 - 2014
43 - V&A (Victoria & Albert Museum) press pack, 'Uncomfortable truths' - 17 Feb-18 Jun 2007
44 - Empty ring binder box retained to demonstrate how 'Making Histories Visible' archive was originally stored and displayed at University of Central Lancashire, Preston - [c 2010s]
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