| Description | Probably written in response to draft of '"Revenge" : Lubaina Himid and the making of new narratives for new histories', chapter 7 of Griselda Pollock's book 'Differencing the canon : feminist desire and the writing of art’s histories', London & New York : Routledge (1999) (TGA 202310/27/5).
Mentions painting, post-colonialism, history; the Centre Georges Pompidou exhibition 'Face à l'Histoire, 1933-1996 : l'artiste moderne face à l'évènement historique. Engagement, Témoignage, Vision' (19 December 1996-7 April 1997); Himid's installation 'A fashionable marriage' (1986); Pablo Picasso; Jewish filmmaker Chantal Akerman; James Tissot and Himid's 'Between the two my heart is balanced' (1991; T06947); Faith Ringgold's work 'Matisse's model' (1991); Louvre, Paris; Paul Gauguin, Josephine Baker, Marie Laurencin, Frida Kahlo, Cecil Beaton's photograph of Gertrude Stein and Alice B. Toklas (1937); and Venice. |